“It is the artist who, more than other men, is able to create something out of nothing. A whole artistic work is immeasurably more than the sum of its parts.
But here is the will of God, a flash of the will that can,
Existent behind all laws, that made them, and lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought,
It is everywhere in the world-loud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And there! Ye have heard and seen: consider and bow the head!’
… Robert Browning: Abt Vogler.
“I mix it with two in my thought”; this is the statement of the fact of universal experience that the work of art has real existence apart from its translation into material form. Without the thought, though the material parts already exist, the form does not and cannot. The “creation” is not a product of the matter, and is not simply a rearrangement of the matter. The amount of matter in the universe is limited, and its possible rearrangements, though the sum of them would amount to astronomical figures, is also limited. But no such limitation of numbers applies to the creation of works of art. The poet is not obliged, as it were, to destroy the material of a Hamlet in order to create a Falstaff, as a carpenter must destroy a tree – form to create a table -form. The components of the material world are fixed; those of the world of imagination increase by a continuous and irreversible process, without any destruction or rearrangement of what went before. This represents the nearest approach we experience to “creation out of nothing”, and we conceive of the act of absolute creation as being an act analogous to that of the creative artist. Thus Berdyaev is able to say: “God created the world by imagination.”
The Mind of the Maker, Dorothy Sayers.
Those opposed to all copyright law are essentially mere materialists.
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